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historiographical Cited by

Cited in Volume II d 'Art "Between Tradition and Innovation. Italian Artists do not forget "page. 171, 281.

"It is a purely surreal dimension that animates the personalities Marica Recchiuti, Roman artist generously available in a trial that the enlarged can present itself in a very wide range of creative interventions that range from paintings to performance. The prospect of creating a 'total work, which inspired the ideas of the early century avant-garde of the twentieth century is endorsed by Recchiuti, which shows that you are at ease in the practice of sculpture as painting, which was not in itself a novel - managing, more, to give body to a kind of integration of the languages \u200b\u200bof the unified design of an organic response to 'profound need to provide a way of explanation to the psychological motivations more intimate and intense. Fit the 'work of this' paradigmatic patterns by Artist appears, therefore, arbitrary and forced, as often happens, to the conceptual dimensions, which can be documented with the means of mass communication is only part of the broader scope of 'creative intervention, especially when it appears sized and placed in a path of execution time when the same sequence of events and actions can be subsumed in its aesthetic dimension to the implementation of the same lived in Art. In singling out, however, explanatory reasons that explain the changes in the production of the graduation of his work purely pictorial, observe some evidence of 'Artist-in which shows how could it be otherwise-an expressionistic headway which is the' actual manifestation cosalismo a 'psychological urgency that drives the personality of the artist'. In Revelation, for example, the 'rush color emerges with the' exuberance of a thickening tone, where the collapse of the sign is the visible trace of 'generic of a vibrancy that allows the freedom of color and to' all the exuberance of the sign space needed to turn their energies strongly groundwater.


Abstract:
Rosario Pinto was born in Naples in 1950. Essayist, critic and historian dell 'Arte, Professor of Art History (Accademia di Belle Arti di Catanzaro . University of Naples. UPN of Naples). Founder and Director of the Municipal Gallery of Contemporary Art Palace Sanchez De Luna d 'Aragona di Sant' Arpino, then the Municipal Gallery of Contemporary Art in Gaeta. He directs the 'Institute for the Study of the' Women in the Arts (ISAF). He is the author of numerous volumes of history of the 'art and monographs on artists and movements of past centuries and contemporary works with magazines' Arts and newspapers with columns d' art.